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UID:news363@dslw.philhist.unibas.ch
DTSTAMP;TZID=Europe/Zurich:20210218T171100
DTSTART;TZID=Europe/Zurich:20210309T130000
SUMMARY:From E.M. Forster to Harlequin Short Contemporaries: The Making of 
 Italy in Anglophone Literary and Popular Fiction
DESCRIPTION:This project explores the literary construction and representat
 ion of Italian otherness in Anglophone literary and popular fiction from t
 he beginning of the twentieth century to the present day. It sets itself t
 he goals of challenging and problematizing the politics of identity centre
 d on a North-South divide that shapes the collective imaginary of our time
 \, while also questioning preconceived notions of what constitutes ‘lite
 rature worth reading.’\\r\\nDesigned as an assessment of the depiction o
 f Italian culture in modern and contemporary Anglophone literature\, this 
 work will engage in a discursive analysis of significant instances of cano
 nized modern and contemporary Anglophone texts (by E.M. Forster\, Daphne d
 u Maurier\, Ian McEwan\, Sarah Hall) as well as particularly commercial br
 ands of Anglophone popular fiction (historical romance novels\, Harlequin 
 short contemporaries\, Harlequin manga). The main theoretical assumption a
 t the basis of this approach is that highly diverse texts\, meant for diff
 erent audiences\, can be worthy venues of inquiry into processes of identi
 ty formation and cultural representation. My research will highlight the p
 rocess by which cultures are taxonomically perceived and organized within 
 a global context. Awareness of such a process will contribute to question\
 , rather than reiterate\, established hierarchies between the European Nor
 th and South as well as preconceived notions of high and popular literatur
 e.\\r\\nIf you would like to listen to this talk\, please contact Dr. Fran
 cesca Pierini (francesca.pierini@unibas.ch [mailto:francesca.pierini@uniba
 s.ch]) to obtain the necessary Zoom link.
X-ALT-DESC:<p>This project explores the literary construction and represent
 ation of Italian otherness in Anglophone literary and popular fiction from
  the beginning of the twentieth century to the present day. It sets itself
  the goals of challenging and problematizing the politics of identity cent
 red on a North-South divide that shapes the collective imaginary of our ti
 me\, while also questioning preconceived notions of what constitutes ‘li
 terature worth reading.’</p>\n<p>Designed as an assessment of the depict
 ion of Italian culture in modern and contemporary Anglophone literature\, 
 this work will engage in a discursive analysis of significant instances of
  canonized modern and contemporary Anglophone texts (by E.M. Forster\, Dap
 hne du Maurier\, Ian McEwan\, Sarah Hall) as well as particularly commerci
 al brands of Anglophone popular fiction (historical romance novels\, Harle
 quin short contemporaries\, Harlequin manga). The main theoretical assumpt
 ion at the basis of this approach is that highly diverse texts\, meant for
  different audiences\, can be worthy venues of inquiry into processes of i
 dentity formation and cultural representation. My research will highlight 
 the process by which cultures are taxonomically perceived and organized wi
 thin a global context. Awareness of such a process will contribute to ques
 tion\, rather than reiterate\, established hierarchies between the Europea
 n North and South as well as preconceived notions of high and popular lite
 rature.</p>\n<p>If you would like to listen to this talk\, please contact 
 Dr. Francesca Pierini (<a href="mailto:francesca.pierini@unibas.ch" title=
 "Opens window for sending email" class="mail">francesca.pierini@unibas.ch<
 /a>) to obtain the necessary Zoom link.</p>
DTEND;TZID=Europe/Zurich:20210309T140000
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