BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//Sabre//Sabre VObject 4.6.0//EN
CALSCALE:GREGORIAN
BEGIN:VTIMEZONE
TZID:Europe/Zurich
X-LIC-LOCATION:Europe/Zurich
TZURL:http://tzurl.org/zoneinfo/Europe/Zurich
BEGIN:DAYLIGHT
TZOFFSETFROM:+0100
TZOFFSETTO:+0200
TZNAME:CEST
DTSTART:19810329T020000
RRULE:FREQ=YEARLY;BYMONTH=3;BYDAY=-1SU
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:+0200
TZOFFSETTO:+0100
TZNAME:CET
DTSTART:19961027T030000
RRULE:FREQ=YEARLY;BYMONTH=10;BYDAY=-1SU
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
UID:news55@dslw.philhist.unibas.ch
DTSTAMP;TZID=Europe/Zurich:20181121T161740
DTSTART;TZID=Europe/Zurich:20181207T101500
SUMMARY:Repetition in Telecinematic Humour
DESCRIPTION:Repetition in Telecinematic Humour: How US American sitcoms emp
 loy formal and semantic repetition in the construction of multimodal humou
 rTelevision sitcoms\, and especially those that broadcast studio audience 
 laughter\, are full of recurring elements\, which range from settings and 
 characters to actions and utterances. In the repetitive audiovisual text o
 f the sitcom lies the basis for the humorous effects that it aims to trigg
 er in its viewers\, and the question is thus: What role does repetition pl
 ay in the construction of humour?\\r\\nIn order to address that question\,
  I offer a linguistic exploration of the particular realisations and funct
 ions of repetition in American sitcom humour. Based on my empirical analys
 es of formal and semantic repetition in the AMSIL (AMerican SItcoms with a
  Laugh track) corpus\, a collection of US American sitcoms that were produ
 ced 2010–2016\, I examine the ways in which repetition of words and stru
 ctures\, of forms and meaning\, of linguistic and non-linguistic signs con
 tribute to sitcom humour.  Repetition\, as I will show\, is instrumental 
 microscopically\, in the construction of individual humorous incongruities
 \, as well as macroscopically\, in the structuring of the sitcom narrative
 .
X-ALT-DESC:<br /><b>Repetition in Telecinematic Humour: How US American sit
 coms employ formal and semantic repetition in the construction of multimod
 al humour</b><br /><br />Television sitcoms\, and especially those that br
 oadcast studio audience laughter\, are full of recurring elements\, which 
 range from settings and characters to actions and utterances. In the repet
 itive audiovisual text of the sitcom lies the basis for the humorous effec
 ts that it aims to trigger in its viewers\, and the question is thus: What
  role does repetition play in the construction of humour?\nIn order to add
 ress that question\, I offer a linguistic exploration of the particular re
 alisations and functions of repetition in American sitcom humour. Based on
  my empirical analyses of formal and semantic repetition in the AMSIL (AMe
 rican SItcoms with a Laugh track) corpus\, a collection of US American sit
 coms that were produced 2010–2016\, I examine the ways in which repetiti
 on of words and structures\, of forms and meaning\, of linguistic and non-
 linguistic signs contribute to sitcom humour.&nbsp\; Repetition\, as I wil
 l show\, is instrumental microscopically\, in the construction of individu
 al humorous incongruities\, as well as macroscopically\, in the structurin
 g of the sitcom narrative.
DTEND;TZID=Europe/Zurich:20181207T120000
END:VEVENT
END:VCALENDAR
